Cameron Hurst is a writer, editor, and early career art historian based in Naarm/Melbourne, Australia.

Contact: cameronhurst38 [at] gmail.com

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Cameron is a founding editor of email newsletter The Paris End, a contributing editor of art criticism publication Memo Review, and a contributing editor of peer-reviewed art history publication Index Journal. She is a regular contributor to scholarly and general readership arts publications.

She is currently undertaking a PhD in the Art History program at the University of Melbourne. In 2023/24, she completed an MA in the History of Art ("Reinterpreting the Object. Late Medieval and Renaissance Art in Northern Europe c. 1360-1520") at the Courtauld Institute of Art, University of London. Her dissertation received The Courtauld Award for Outstanding Overall Achievement.

Cameron has taught art history and cultural studies subjects to undergraduate students across the University of Melbourne and Monash University. 


She previously led a research project on the early twentieth-century Australian artist Norman Lindsay. The project included an exhibition of the University of Melbourne's Lindsay collection and an edited collection of new essays, Venus in Tullamarine: Art, Sex, Politics, and Norman Lindsay (Index Books, 2023).

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